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❶Stuck in these poems are lines that contain the seasons, "spring summer autumn winter.

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These poems illustrate a different struggle to the one established by the concept if apartheid; they show the conflict of interests among sexes as the struggle within the struggle. The media and the people pleasingly welcomed his These are not likely to be loved by women readers. On the other hand. I Know What You Women prefer love and care before violence and murder In this repute it is imperative to understand the degree at which gender apartheid participated in the progression of the racial apartheid dispensation in South Africa.

The idea of woman oppression was always under the shadow of racial oppression and these poems address this issue by suggesting that the gender struggle is more important than the racial struggle.

The style in which both these writers convey their message is fairly similar to point that the reader would feel like they are having conversation with the speaker in regards to the fact that these poems are written in the first person voice.

This idea is emphasised by the use of free verse in the sense that there is no structure to follow the reader can read the poem without the technicality of rhythm diverting his attention from the content and pause in some places to allow the reader to reflect on their understanding on certain lines. It seems like she wants the reader to reflect on these words in the sense of a different struggle, the struggle she introduces in line nine; the struggle for love.

Lisa mentions the racial struggle as a reference tool for her argument where the oppressor is the entire system and its effects on the minds of people in society. She infers hat freedom is not only a physical state of being but rather that it is internalised power influenced by the power of love, furthermore she deepens her argument by suggesting that this power lies in woman and that men should, along with the entire system, should reconsider their concept of womanhood and interpret it in its fullest capacity and value.

This poem is not only These writings are very realistic. The first twelve lines portray realism very well. It is possible that Anne Bradstreet As I was reading the poem For Deliverance from a Fever, lines twenty-five and twenty-six She argues against the traditional role of a woman in the apartheid regime and has a strong desire to free herself from all types of bondage and obligation even those related to spiritualty lines 6 and 7. The use of free verse, when paying attention to the poetic devices used in these poems, works as a tool that displays rebellion and the desire for freedom.

The speaker insists on being detached from all forms of bondage set at by social, spiritual and political ideals. The use of free verse, when paying attention to the poetic devices used in these poems, works as a tool that displays rebellion and the desire for freedom. The speaker insists on being detached from all forms of bondage set at by social, spiritual and political ideals.

She has an extreme perspective in terms of freedom in this poem in contrast to the other poem she feels no need to redefine the role of a woman in society she purely rebels and rejects any form of reform to the status quo. In summation she would rather have no capabilities to perform the things woman are expected to perform.

In both poems the speakers used personification. However it is interesting that in observance one sees that these poets use alliteration to extricate themselves allusively from the personified actions even though they speak in the first person voice. Lisa Combrinck in lines personifies her poems suggesting that the poems have the ability to shape words into slogans, salve-covered swabs, spears etc.

With this poetic device Lisa Combrinck detaches herself as the writer and suggest that the poem in its personified abilities produced the poetry related to the racial struggle; in this instance she could be saying that the struggle poetry is written as a means to be relevant to society at the time, however in relation to the struggle she, out of the faculties of self, wrote this poem in contrast to the poems about the struggle as her concept of the actual struggle the one she personally views to be more important.

In this poem she surmises that women can eliminate apartheid with the power of femininity; the power of love. Eva Bezwoda personifies hands and deliberately speaks of them as their own entity. In this manner she suggests that women are not definable by the work of their hands and therefore she also refuses to connect herself to her hands and her work because those very facets of the ideology of womanhood in apartheid ultimately defined the woman in society.

The speaker personifies the hands and suggests they would still function without her because she was never one with them in a figurative sense.

Even though both these women put up strong arguments I believe it is important to understand the struggle in all its aspects. Other services , Paarl. We offer dissertation writing services that are ideal for you if you need an entire dissertation quickly. Our writers are motivated to give you a fantastic product according to the time frame that you set out.

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My thesis can be explained with these words; patriarchy was necessary. My thesis might be in direct contrast with the desire for freedom in woman, however, my thesis could probably hold weight in the regard that freedom is a state of mind and that the freedom of mind is .

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South Africa Alicia Hudson SOC Professor Norsworthy May 6, South Africa South Africa, a country on the southern tip of Africa, has an area of ,sq mi and a population of 44,, It is predominately a black ethnicity with 76% of the population.

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Education in South Africa South Africa has million learners, , teachers and around 48, schools – including special needs schools and 1, registered private schools. Of all the schools, are high schools (Grade 8 to 12) and the rest are primary schools (Grade 1 to 7). In this repute it is imperative to understand the degree at which gender apartheid participated in the progression of the racial apartheid dispensation in South Africa.

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