Second, spiritual mysteries are wonderful, miraculous, and terrible. They can be described, but they are best understood emotionally rather than through analysis.
Third, the marvels of the invisible can lead one to greater understanding. Fourth, the marvels of the spiritual world are not intended to lead one away from truth. Perhaps to Burnet, truth meant doctrinal orthodoxy.
To the Mariner, truth may mean, as Burnet says, avoiding extremes and telling day from night. He tells others what he learned. Perhaps to Coleridge, truth was the practice of his art, the creation of The Rime of the Ancient Mariner. The volume contains two kinds of poetry. In one type, as Coleridge would later write in chapter 14 of his Biographia Literaria The incidents and agents were to be, in part at least, supernatural, and the excellence aimed at was to consist in the interesting of the affections by the dramatic truth of such emotions, as would naturally accompany such situations, supposing them real.
In this poem an old sailor tells a story to a wedding guest. The story tells us about a voyage and how the sailor shoots the Albatross, the crew die and he gets back to his homeland. In section one the ancient mariner stops just one of three people. This makes us ponder on why he just stopped one of three people. Also by talking in present tense it makes you feel as if you are actually in the poem.
The contrast of an old man and a young man is quite strange as normally they would not have even talked. The sailors were scared of the storm as it seemed alive. The wind blew them south into the cold and icy South Pole. Coleridge also uses onomato-poeia when he uses words like cracked, growled, roared, howled and swound. They had found an Albatross and got lucky with it as ice cracked and they were able to get free from the ice. The Mariner killed the bird that made the breeze to blow.
The Mariner recalls that the voyage quickly darkened, as a giant storm rose up in the sea and chased the ship southward. But then the sailors encountered an Albatross, a great sea bird. As it flew around the ship, the ice cracked and split, and a wind from the south propelled the ship out of the frigid regions, into a foggy stretch of water. The Albatross followed behind it, a symbol of good luck to the sailors.
At first, the other sailors were furious with the Mariner for having killed the bird that made the breezes blow. But when the fog lifted soon afterward, the sailors decided that the bird had actually brought not the breezes but the fog; they now congratulated the Mariner on his deed. At night, the water burned green, blue, and white with death fire.
“The Rime of the ancient Mariner” occurs in the natural physical world-the land and the ocean. But there is a huge connection to the spiritual, metaphysical world. I think that the poem is an exploration of the unconscious mind, since the poem has dream like qualities.
- Christianity in rime of the Ancient Mariner The Rime of the Ancient Mariner, penned by Samuel Coleridge, and published for the first time in in the co-authored “Lyrical Ballads” with William Wordsworth, is a poem in which an old sailor recounts his tales to a young wedding guest.
Symbols in The Rime of the Ancient Mariner by Samuel Taylor Coleridge Essay examples - In this essay, I will be examining some of the symbols in Samuel Taylor Coleridge's poem, 'The Rime of the Ancient Mariner.'; Symbols were very important in this poem. The Rime of the Ancient Mariner Homework Help Questions What are some examples of symbolism in "The Rime of the Ancient Mariner"? In "The Rime of the Ancient Mariner," the albatross is a good omen for sailors and sometimes even represented the soul of a lost sailor.
The rime of the ancient mariner has shown to be mysterious by the ways in which I have talked about. These are things like repetition to really get the point across. Also used are similes to project an image into the readers head. The Rime of the Ancient Mariner, a complex tale of an old seafarer, was written by Samuel Taylor Coleridge and published in According to the Longman Anthology of British Literature, the work first appeared in “Lyrical Ballads”, a publication co-authored with William Wordsworth ().